Antonio is in a more difficult situation, as social norms do not allow for the gratification of his apparently sexual attraction to Sebastian. Even once everything is revealed, Orsino continues to address Viola by her male name. Act III, scene iv Olivia, who sent a servant after the departing Cesario to persuade him to return, tries to figure out how to woo him to love her.
Several Illyrian officers burst onto the scene.
The officers, thinking Antonio is insane, take him away. The majority of the plot lines depend on the disguise.
She bids he come again the next day, and then goes back inside. Love, thus, cannot conquer all obstacles, and those whose desires go unfulfilled remain no less in love but feel the sting of its absence all the more severely.
Without it, there would be little excitement or intrigue, and Shakespeare would not be able to thoroughly reflect his views of humanity. Malvolio, who has pursued Olivia, must ultimately face the realization that he is a fool, socially unworthy of his noble mistress.
Various characters claim to suffer painfully from being in love, or, rather, from the pangs of unrequited love.
We can thus only wonder whether Orsino is truly in love with Viola, or if he is more enamoured of her male persona. More disorder is created when Olivia, who Orsino is hopelessly in love with, falls for Cesario, who is secretly in love with Orsino.
Sir Andrew enters with a letter challenging the young Cesario to a duel. Delighted by the turn the events have taken, they decide together to lock Malvolio into a dark room—a frequent treatment for people thought to be possessed by devils or madmen. Love is also exclusionary: This situation creates a sexual mess: Viola, however, has no idea who Antonio is.
Cesario says that he does not wish to fight and prepares to leave. When Andrew and Cesario cross paths, though, Sir Toby tells each of them that the other has promised not to draw blood in the duel.
Feeling suddenly melancholy, Olivia sends for Malvolio because she wants someone solemn and sad to help with her strategy.
When the news arrives that Cesario has returned, she assigns Maria and Sir Toby to take care of Malvolio, and goes off to see Cesario.
In addition to making the play less interesting, the disguise is also necessary to develop the storyline involving Sebastian, and the confusion that his return creates. Without this important element, the action in the play would slow down dramatically, making the story much less intriguing.
This latent homoeroticism finds an explicit echo in the minor character of Antonio, who is clearly in love with his male friend, Sebastian.
However when all of the truth has been told, Orsino realizes what has happened and agrees to marry Viola, with Olivia marrying Sebastian, the next best thing to Cesario. That, he decides, should make for a very funny duel.
Viola runs off to look for him, leaving Sir Andrew and Sir Toby very confused. The Folly of Ambition The problem of social ambition works itself out largely through the character of Malvolio, the steward, who seems to be a competent servant, if prudish and dour, but proves to be, in fact, a supreme egotist, with tremendous ambitions to rise out of his social class.
Without it, the main theme of the play would be the gulling of Malvolio. Sir Toby privately decides that he will not deliver the silly letter but, instead, will walk back and forth between Sir Andrew and Cesario. Finally Sebastian and Viola are reunited, but only after they have already caused a large amount of chaos and have confused everyone.Write about the significance of disguise and mistaken identity in Twelfth Night Shakespeare’s use of disguise and mistaken identity is significant to the plot of Twelfth Night as it is the thread that runs through the entire fabric of the play; and is instrumental in providing confusion, misunderstanding, and ultimately – love.
The Factors of Mistaken Identities in Shakespeare's Twelfth Night Mistaken identity, dramatic irony and disguise serve a large role in making this play, Twelfth Night comedic.
Malvolio is convinced Olivia is in love with him because of Maria’s letter. Sir Andrew is completely oblivious to the fact that Sir Toby Belch is befriending him to use him for his wealth.
Free Essay: ‘Comedy relies on familiar sources of misunderstanding’. To what extent are mistaken identities and misunderstanding central to the comedy of.
A summary of Act III, scene iv in William Shakespeare's Twelfth Night. Learn exactly what happened in this chapter, scene, or section of Twelfth Night and what it means. Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans. Much of the Shakespeare’s ‘Twelfth Night’ focuses on misconceptions and the way disguises cause the root of misunderstandings in which mistaken identities arise, a.
Essay on Disguises and Mistaken Identity in Twelfth Night; Not only are mistaken identities and disguise evident within the main plot of the play but also in various other situations. Sexual confusion amongst characters, subversion of gender roles and farcical elements through stagecraft all effectively contribute to the dramatic comedy.Download